Do You Know SID?
A Commodore 64 yesterday.
The Commodore 64 was an outstanding machine, its abilities were pretty amazing for the time and whilst its graphical abilities were good, they were matched by other 8-bit machines of the time. Its sound though? Well that’s another story altogether.
The Commodore 64 was home to one of the most powerful sound processors of the time; the SID.
The SID, or Sound Interface Device, was the sound controller that was used in the Commodore 64, essentially it was an analogue synth on a chip and the range of sounds it could produce were streets ahead of anything else at the time.
To this day it’s still used, primarily in a MIDI sound module – the SIDStation – and the sounds it makes have been very popular with the rap and R&B communities, with numerous tracks sporting SID arpeggios.
That there is the SID.
Some producers have been less than honest though. Timbaland in particular. He infamously lifted the entire melody from the Commodore 64 arrangement of an Amiga tune; Acidjazzed Evening and used it in the Nelly Furtado song Do It.
The original composer was given no credit. The whole thing sucked.
Regardless of all that the SID’s sound remains unique and is instantly recognisable to any retro gaming fan or 8-bit afficianado.
It’s good that SID music is still being listened to, and that it’s so easy to get, regardless of the rather dishonest use of those tunes by some.
If you’ve never heard the SID belt out a tune on its own – without an overpaid half wit babbling all over it – you’ve really missed a great experience. That’s why I’ve put together my top ten favourite SID tunes for you to listen to. I’m kind like that.
Wizball – Martin Galway
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Good grief Wizball was an amazing game and it was made by the music. This is the high score theme which is lovely and mellow and would often round off a session nicely.
Its mellow and spacey all at the same time. I love it!
Cybernoid II – Jeroen Tel
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This came slightly later in the Commodore 64′s life and is altogether a bit more full on. That’s not to say it’s not great, because it is, it’s just a bit stronger.
Sanxion – Rob Hubbard
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Ooh! Sanxion! What a belter this is. Loading a game took ages back in the mid-eighties, so it was always good when you got a rocking piece of music like this to distract you. Mind you I didn’t think that much of Sanxion as a game, it never really did it for me. I suspect I’m in the minority there though.
Parallax – Martin Galway
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This piece of music comes from the part of Parallax where you’re running around the deserted cities, usually drugging scientists. It really conjured up the isolation of being in a practically empty, alien city.
Just me then?
The Last Ninja – Ben Daglish & Anthony Lees
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Every single tune in The Last Ninja was a corker. In the end I plumped for this one, no particular reason as they are all mini-masterpieces in their own right.
Tetris – Wally Beben
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The closest the Commodore 64 got to prog rock was this awesome twenty five minute epic that accompanied – in hindsight – one of the worst versions of Tetris I’ve ever played.
At the time though I seem to recall thinking that Commodore 64 Tetris was awesome. I was only thirteen mind and it was a cold winter. Nevertheless listening to this and resetting the line counter twice (it reset at 255) was my idea of a great night back then.
Hunter’s Moon – Matt Gray
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Another loading screen tune and what a stunner it is. The slow militaristic beat accompanied a brilliant loading screen and once again it really got you in the mood for the game to come, which by the way was corking.
I seem to recall it was also quite easy to cheat and rack up a whole host of extra lives because of the regenerating nature of the game world. This meant you could point your ship at an alien structure, pop a book on your fire button, zip off and have your tea, all the while safe in the knowledge you were racking up the points as the computer controlled drones went around rebuilding the scenery you were getting points for destroying! Happy days.
Quedex – Matt Gray
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Quedex, or to give it its full title; The Quest For Ultimate Dexterity! I spent about two hours failing the first level because I hadn’t read the instructions.
The only thing that kept me going was the music, my reasoning being that if the music was this good the game must be pretty special. That and the fact that it had got a Zzap! Sizzler.
Firefly – Fred Gray
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Tidy little game, nothing special but the music was ace!
Zamzara – Charles Deenen
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A scrolling Contra style affair without the delicate control that Contra afforded you. Given that it was a budget title (£2.99, bargain!) the graphics and music were amazing!